Several singers have acceded sometimes, spontaneously, to this pluridimentional voice. It is “un moment de grace”, a privileged moment of sharing with their pulic, which allow them to reach imbelievable harmonics. But often, because of stress or due to a specific event, they lose this register and find again? an unidimentional voice.


GUIDELINES FOR LISTENING TO THE RECORDINGS


While listening to these recordings, we suggest that you evaluate the sonority of the voice from an aesthetic point of view. This requires that you try to perceive the voice's vibrations, analyze the sensations it offers, and observe where it vibrates inside your body (top, bottom, inside, outside). During this process, identify the subtle but real changes between the first and second recording. This form of listening requires that you abandon use of your analytical brain in order to access the voice's sonority using your five senses. Accordingly, your perception will guide you to begin deciphering the sound "language" of each voice and the information it carries. Beyond the enunciation of words and established rules of writing, the voices "speak" to the body via specific vibrations within them.
It is important to be receptive and welcome them without judgement. Lay to rest your analytical brain and activate your perception!



Spontaneously pluridimentional voice Normal voice Pluridimentional voice
Céline Dion :
« Quand on n'a que l'amour »
Nana Mouskouri :
« Ave Maria »
Elvis Presley :
« Just pretend »
Jacques Brel :
« Ne me quitte pas »
Professional singing voices Before Dynamisation After Dynamisation
Chant Arabe
Presence
Amateur singing voices Before Dynamisation After Dynamisation
Brigitte
JIA LI
Vincenzo
Spoken Voices Before Dynamisation After Dynamisation
Valerie
Jacky
Pino
Jean Claude
Charlotte
M France
+ Do you want to know more ?